A long day of art and culture
Wound up crashing early last night and sleeping until almost 8 this morning! Nearly 11 hours. Given that I had basically been up almost 2 days I'm sure I needed it. Jet lag hasn't hit me too hard so I'm functioning pretty well. Today was my last day in Madrid before heading off to Leon and the start of my Camino so I tried to make it jam packed.
The palace was closed today and will be until March apparently so I will just have to return to Madrid one day. I had prepurchased tickets to the Prado and the Reina Sofia for today and I was incredibly excited about both. To anyone who has ever been to an art museum with me you know very well that two in one day would be an impossibility, there's simply too much to see and too little time. That's why as hard as it was I had to make decisions about what I wanted to see and stick to my schedule, or at least close to it.
I took my camera and headed down to the Prado, stopping at a cute little cafe called de moreto for cafe con leche and a lovely crossant de montequillla. Delicious. On my father's trip he has told stories about trying and failing to get a crossant, ordering one only to receive an odd toast with tomato paste on it instead. Well while my Spanish speaking traveler extraordinaire (who allways has the best trips) failed,, I succeeded despite not speaking any Spanish whatsoever. So HA!

A block over I came to the Prado and was very much taken with the architecture. Surrounding the building are lovely statues of the roman virtue's and carved into the very foundations of the Prado are the names of Spain's beloved artists. El Greco, Goya, Roelas, Velazquez and others. Notably absent are any modernist artists, which are not represented among the Prado's collection. I rushed in when the museum opened and spent more than 4 hours pursuing it's magnificent collection. The classical tradition is represented well, with religious and mythological scenes dominating the walls. Greats like Titain, el Greco, Goya and Rubens hang from the walls and capture you attention effortlessly. Goya's infamous Saturn stands out.
Painted during his dark period, it's a chilling depiction of the Titain Saturn devouring one of his children, fearful that they would overthrow him, which of course they would go on to do. The madness and fear stand out in the face of the Titain, humanizing him despite the horror and disgust that the subject imparts in the viewer.
Rubens the Judgement of Paris and Titain's Salome also stand out. The Prado is World Class and demands to be mentioned alongside the MET and the Louve as the representatives of the Canon of art. It's a museum which is fiercely proud of it's Spanish heritage and it's Spanish painters, with many of its works receiving around the Spanish art world, either commissioned by Spanish patrons or made by Spanish painters. Which is why the absence of any Modernist art is so striking. Like a complete rejection of their form of art as unworthy to be hung in the halls. It clearly marks modern art (for which even the much beloved impressionism is included), as other. Not "our kind of art". As a fan of modern and postmodern art, this othering is fascinating.

After a quick lunch of Roast Lamb in some kind of wine reduction for lunch in a Spanish Street Cafe, I walked over to the Reina Sofia, a much more modern art museum famous worldwide for housing the masterpiece of the greatest Spanish artist, one Pablo Picaso's Guernica. Once again this is a museum fiercely proud of it's Spanish roots, with their collection walking it's patrons through the 20th century Spanish art of resistance, war and exile.
Picaso and Dalhi are well represented as well as Miro. Guernica clearly dominates the museum however. I spent about an hour and a half looking through and throughout enjoying their main collection, which is very well displayed and collected. Guenica though has its own room in the museum. With not one but two guards permanently stationed next to it. On the wall across to the piece is a wonderful story over its commissioning and Picaso's thoughts on it, as well as documentation of his creation. The painting itself stands alone on bare white walls. I stood there nearly a half hour gazing at it in contemplation and left the hall in tears which lasted nearly half an hour more. If you have never seen it, you cannot possibly understand, and if you have then I need not try and put it into words. If there is one thing in all of Spain that you have to do, it is go to the Reina Sofia, go to the second floor, gallery 6.
I'm writing this back at the hotel, doing some quick laundry and getting ready for my train tomorrow at 2 to Leon. I might try to get something done here in Madrid before the train, we shall see. Until tomorrow loyal readers. Please excuse spelling and grammar, I am writing on a cell phone. Most of my pictures are found on flicker, see link on the side, but here are a few favorites. I did not take any in the museums as I find that rude and interfering with viewing the art.